[Oh, well, he was subtle and look what it got him: nothing. So, instead, he goes for the blunt approach, which is after all the best.]
Who, exactly, is the one wearing lipstick in this relationship? Because last I heard all Kakyoin had was heels, Jotaro.
[And then, once he's gotten the more important query out of the way, he adds:]
Anyway, it's not about it tasting good, it's-- y'know-- for looking sexy. And it gets really sexy once it's all smeared and stuff, that's how you know you've done well.
Yeah, but if it gets in your mouth then it fucks everything up.
[HOW LONG CAN HE SIDESTEP THE IMPORTANT QUERY AND DRAG THIS OUT. A FEW SECONDS LONGER, AT LEAST.]
...It is good when it gets smeared, though. Not like a lot all over. But like when you get punched in the mouth and it splits your lip, and it smudges a little in the corner. Like that. That's really good.
[There it is. And-- not at all what he expected, actually, because he'd already sort of formed a hazy picture of Kakyoin in, like . . . red, like fire-engine red, but if it's Jotaro--
Well!]
I didn't know you did that-- when did you start? I thou--
I literally just told you I might like to kiss a guy, all right, why the hell would I have worn lipstick before? I said I knew because I've kissed girls who wore the stuff! You end up tasting it no matter what side you're on!
[He's overreacting, he knows, he really is, because who cares, it's not like Jotaro went out and announced it to the city-- but still. It's a little terrifying, having someone casually think that about you, and-- no matter what Giorno might say-- he can't just accept such a thing. For others, all right, easy, fine, but for himself? God, no.]
[He half-turns, brow knitting as he fixes Polnareff with a look of searching intensity.]
I don't know! What if you had? What if you had and it went the other way around, I sat here and went oh I assumed you never would because that's weird, that's not you, that's whatever? That's...that's like the opposite of being your damn Sherpa, that's kicking you back to the bottom of the mountain!
You know why I wore it? Because I didn't get it. I didn't get why a guy would, why anybody would, I don't get it. But I want to get it. Because if people care what I think then I ought to be making sure I'm not accidentally making them feel like shit when I don't get something that's important to them.
I want you to be able to tell me anything. I don't want you to have to worry if it's going to make something different. So yeah, I'm going to act like it's not a big deal because it isn't and I don't want it to be one! Not with me. Not when it might be your feelings on the line!
[But there's a difference. There's such a difference between taking care around Giorno or Kakyoin versus taking care around him. Because if Jotaro takes care around him, he thinks it might be possibility, and if he thinks it might be a possibility--
That's focusing too much on the details and not the broad point. I want you to be able to tell me anything. You'd think after all they'd been through, that'd be true. And on some level, it is; there's very little he keeps from Jotaro--
Except things like his attraction to both genders. Except things like there's a growing distance between us I don't know how to resolve. Except things that take three days to come out, like: I cut my sister's throat.
He's done everything on his own for so long. Feelings-- proper Feelings, with a capital F-- were things to be ignored or dealt with on his own, not shared. ]
It-- is. To me.
[Slowly, uncertainly said-- but Jotaro isn't Giorno, and there's more room to maneuver and error without earning scorn.]
I don't just mean makeup, I mean-- anything. When it's me, it's a big deal. I'm not used to any of this, I can't just-- just talk about shit all of a sudden. Not like this, not when it's me.
[Does that even make sense? He takes the cigarette again, because it's something to do.]
[He tries his best to listen, really listen, and as he does his expression starts to soften up again. Polnareff, then, is like him — maybe in some ways even more reserved than him, which is deceptive from the personality traits he plays up and the way he'll sometimes act. Polnareff is like him, similar to the way he is when it comes to navigating a relationship: there's that weird external weight of "normal" that exerts its force on things, and Polnareff attunes to it.
Okay. Yeah. Yeah, okay.]
...When you're ready to talk — if, I mean. If, when, whenever. Just...trust me to listen, that's all I'm asking. Believe in me.
[He shifts a little closer, though without fully closing the space.]
And if you want to hear me talk, then I'll talk. Be your Sherpa. Only when you want it, if that's what you want. Okay?
[The allusion to the familiar joke is oddly reassuring, and he exhales a little laugh, soothed by it of all things.]
. . . yeah.
[That's easy to do. Trust me, Jotaro says, and that-- he can do that. Even now, he can do that. He's done it once already, confessing his attraction; he can do it again, when the time comes, if it ever does. Because Jotaro--
They give each other shit all the time. But when the chips come down, when it really matters, Jotaro has always been there. Every nightmare, every desperate clinging hug, every fight, both physical and emotional-- Jotaro has always had his back. So trusting him? Yeah. He can do that.
Polnareff nods, meeting Jotaro's eyes as he does-- and that shift closer is welcome, so Polnareff does as well, until they're tangled up again, just far enough he can still see his face.]
Mm. I kept breathing through my mouth because I could feel it on there. Like —
[Hmm. He settles in, leans a little more heavily against Polnareff.]
You know when someone says "don't think about blinking", and then suddenly you can't do it without thinking anymore? It's like that. Like you can't just...not think about your mouth anymore.
Seems like it'd get on everything, too. Cigarettes, beer cans. Just trying to talk it feels like you'd smear half of it across your face by mistake.
[He hums softly in agreement, because-- yeah, it does seem like that, and yet girls don't do that (probably?) so clearly they've got to have some kind of secret technique going on. Or maybe it's just when you start really smearing it-- like, pressing your hand against it and rubbing-- is when it comes off. Who can say? The world of cosmetics is a mysterious one.]
Oughta experiment. Get back to me on that. Cuz I mean, if you can't have a cigarette or a beer, what's the point.
Maybe it dries out? After a while, or something. Or like — when you drizzle chocolate on ice cream and it freezes into a shell? Maybe it does that if you leave it on long enough.
[GUYS TRY TO UNDERSTAND BEAUTY PRODUCTS]
...I have one of those eye things, too. The pencils. I just got Star to draw it on, it's hard to do it with one eye closed and your hand hard to keep steady.
[...]
You want to see it right now? I can have him go grab it. Or later, some other time, if you'd rather just hang out.
[And he doesn't move, because he doesn't have to; as suggested, Star does it all for him, first by manifesting in the middle of the room, and then by zipping into the bathroom that they share, presumably to riffle around in whatever hiding place Jotaro had created for his personal cosmetic items and return with them securely in hand.
It's almost laughable how there isn't much — a tube of lipstick, an eyeliner pencil, and a couple of loose sponges. But there they are, all collected in a plastic ziplock bag, dangling from Star's purple fingers like precious cargo when they're really not.]
Okay, so.
[At his silent command, Star sets the bag down and fishes out the lipstick, uncapping and twisting the tube and brandishing it in his giant hand.]
I think it's got that like...point on it, so you can draw with it like a pen, kind of? So — c'mon, Star, like the last time — he draws around the outside first, aah 'en co'ors ih ihh...
["And then colors it in", probably — which is exactly what Star has just set to doing.]
[You'd think, with all the girls he's slept with, with having a sister, he'd know a little more about how makeup is applied-- but this is the first time he's seen it. Polnareff watches with fascination-- both because of the process itself, but also because it's Star doing the bulk of the work. (Could Chariot do that, he thinks, but no, he'd probably just end up wielding it like a very stubby sword).]
Huh.
[When he thinks lipstick, he thinks bright red, like a fire engine, so it's a little odd to see something so pale on Jotaro's lips. It doesn't . . . exactly fit, the color, but on the other hand it's not, like, black, and it isn't as if Polnareff knows any better. And it looks . . . strange, honestly, because it's a shock to see something like that on Jotaro's face-- but it's not bad. He offers up half a grin in clear approval.]
[For a second, just one, his impulse is to tease: you're really getting into this, aren't you, he could say, and almost does, until he sees the intent look in Polnareff's eyes and the smile on his face as Star is finishing up, and — no, this isn't the time for joking. That is, at least not ones that run the risk of coming at Polnareff's expense. At himself, that's another story, but for now, this needs to be for Polnareff. Free and open for Polnareff, to just...get used to it, however he wants to, at his own pace.
When he's finished — and arguably having laid the color on a little too thick, but of course he doesn't really know any better — Star re-caps the lipstick and sets it aside in favor of the pencil, which rapidly gets aimed at Jotaro's eyes. It's a shame to have to close them and surrender to not being able to see Polnareff's face for a minute or two, but such is the necessity of the process, and in a second or two he can feel the sharp, distant-uncomfortable drag of pencil along the edge of his eyelid near the lash line.]
Sho 'en this, I guesh it makes your eyes look...longer? Or shtand out more. Shome'ing like that. I'unno.
[More a noise than a real word, and it sounds a little detached-- but he's watching the process with just as much fascination. His issues-- with all of it, really, with makeup and skirts and attraction and everything, all of it, that giant umbrella of Stuff that he's just starting to understand-- are entirely to do with himself and perceptions of normality. Seeing Jotaro do these things isn't going to fix things, not entirely, because his problem isn't with Jotaro, but society as a whole.
But it helps, to see this. To look at someone who's not so sure of himself either, someone Polnareff knows and understands on an intimate level, and see it happen.]
What if you just talked normal? I mean, it's on both your lips, so all it'll do is just get on your lips more, right?
[In another few seconds, though, Star finishes up and retreats, and Jotaro flutters his eyelids open slowly, trying to relax his expression into resting normal before turning to look straight at Polnareff with his basic, amateurish lined eyes that manage to make the green come out greener, and the peach-orange lips that truthfully look garish but at the very least are carefully shaped into a classic cupid's bow.]
[He can, actually, see the difference in how Jotaro's eyes look-- there's something extra there, some kind of emphasis. Is it because he was presented with the direct before-and-after, or is he just so unused to seeing girls with makeup that he never realized how much that shit actually emphasized? Possibly both.
Jotaro looks-- different. It's not a criticism, just an observation. It's strange, knowing him one way and then seeing this. Like-- like, it's his face, but off. Or something. Polnareff stares for a few seconds-- and okay, it's impossible for his eyes to not dart about Jotaro's face, to really look at him.]
The eyes are better.
[Wait, shit--]
I mean-- just-- I like them. Both. But I like your eyes more.
It's kind of...um. Alice Cooper, kind of? You know, the dark around the eyes so you notice them more.
[He holds still, content to just let Polnareff look, and tries his best not to purse his lips even though the feeling of the color sticking to them is, as predicted, weird and fiddly to experience.]
I don't really like the mouth. But the eyes are all right. It feels...a little heavy? But I think if you did it a lot you'd get used to that. Other than that you can't feel it. That one I think I'd be okay with doing more often, the eyes.
[He blinks rapidly a few times, in quick flicks that suggest the action is entirely reflexive and mostly involuntary, which probably goes to support his claim of the heaviness on his eyes being something he's trying to adjust to.]
I don't know, though. Probably not? Maybe just...once in a while, or something. Like for a change. To be a little out of the ordinary, or something.
Oh, yeah, that's what you need: to stand out more. Who's Jotaro Kujo, that's what I have to ask myself half the time, I can't remember who the hell you are because you're so boring--
[All that's a murmur, out of his mouth without any real input from his brain, said while he leans in to get a better look. Makeup isn't something he's ever really thought about, honestly-- not beyond a vague thought of that's a bright lipstick or whatever. He's certainly never thought about the application of it. So it's fascinating to look at, and it's equally fascinating to study it on Jotaro.
It's really done very neatly. Well done, Star.
And again, he wants to ask, and-- well, when has he ever been anything but impulse, so:]
Are you allowed to share that, or's it like a double-dip situation?
[Which is a very big question disguised as a very minor one, actually.]
...Um. I mean, I got into my great-grandma's stuff once and had it all over my face and it didn't kill me or anything, so.
[He pauses, and superficially seems to be processing the question, except that beneath the surface he's actually processing the deeper implications — because as much as he's struck out and tripped on his face already in this conversation, this time at least he thinks he's got a pretty good handle on where this line of questioning goes.
So he drags it out on the pretense of reminiscing first, then deliberately pushes it back into the realm of normalcy, and groups it together in with other things, casual things, guy things that they already do and have done and are doing even at this very minute.]
Besides. It can't be that much different than passing around the same cigarette. If you're gonna catch something from me, you're already fucked a couple dozen drags over.
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Who, exactly, is the one wearing lipstick in this relationship? Because last I heard all Kakyoin had was heels, Jotaro.
[And then, once he's gotten the more important query out of the way, he adds:]
Anyway, it's not about it tasting good, it's-- y'know-- for looking sexy. And it gets really sexy once it's all smeared and stuff, that's how you know you've done well.
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[HOW LONG CAN HE SIDESTEP THE IMPORTANT QUERY AND DRAG THIS OUT. A FEW SECONDS LONGER, AT LEAST.]
...It is good when it gets smeared, though. Not like a lot all over. But like when you get punched in the mouth and it splits your lip, and it smudges a little in the corner. Like that. That's really good.
[He pauses, reflects. Might as well go all in.]
What color? Mine was kind of pink-orange.
1/2
Well!]
I didn't know you did that-- when did you start? I thou--
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An Assumption has been made.]
Wait, what do you mean, what color?
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[LOOK AT THESE ASSUMPTIONS GO.]
...What.
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[FOR GOD'S SAKE, KUJO]
I literally just told you I might like to kiss a guy, all right, why the hell would I have worn lipstick before? I said I knew because I've kissed girls who wore the stuff! You end up tasting it no matter what side you're on!
[He's overreacting, he knows, he really is, because who cares, it's not like Jotaro went out and announced it to the city-- but still. It's a little terrifying, having someone casually think that about you, and-- no matter what Giorno might say-- he can't just accept such a thing. For others, all right, easy, fine, but for himself? God, no.]
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[He half-turns, brow knitting as he fixes Polnareff with a look of searching intensity.]
I don't know! What if you had? What if you had and it went the other way around, I sat here and went oh I assumed you never would because that's weird, that's not you, that's whatever? That's...that's like the opposite of being your damn Sherpa, that's kicking you back to the bottom of the mountain!
You know why I wore it? Because I didn't get it. I didn't get why a guy would, why anybody would, I don't get it. But I want to get it. Because if people care what I think then I ought to be making sure I'm not accidentally making them feel like shit when I don't get something that's important to them.
I want you to be able to tell me anything. I don't want you to have to worry if it's going to make something different. So yeah, I'm going to act like it's not a big deal because it isn't and I don't want it to be one! Not with me. Not when it might be your feelings on the line!
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That's focusing too much on the details and not the broad point. I want you to be able to tell me anything. You'd think after all they'd been through, that'd be true. And on some level, it is; there's very little he keeps from Jotaro--
Except things like his attraction to both genders. Except things like there's a growing distance between us I don't know how to resolve. Except things that take three days to come out, like: I cut my sister's throat.
He's done everything on his own for so long. Feelings-- proper Feelings, with a capital F-- were things to be ignored or dealt with on his own, not shared. ]
It-- is. To me.
[Slowly, uncertainly said-- but Jotaro isn't Giorno, and there's more room to maneuver and error without earning scorn.]
I don't just mean makeup, I mean-- anything. When it's me, it's a big deal. I'm not used to any of this, I can't just-- just talk about shit all of a sudden. Not like this, not when it's me.
[Does that even make sense? He takes the cigarette again, because it's something to do.]
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[He tries his best to listen, really listen, and as he does his expression starts to soften up again. Polnareff, then, is like him — maybe in some ways even more reserved than him, which is deceptive from the personality traits he plays up and the way he'll sometimes act. Polnareff is like him, similar to the way he is when it comes to navigating a relationship: there's that weird external weight of "normal" that exerts its force on things, and Polnareff attunes to it.
Okay. Yeah. Yeah, okay.]
...When you're ready to talk — if, I mean. If, when, whenever. Just...trust me to listen, that's all I'm asking. Believe in me.
[He shifts a little closer, though without fully closing the space.]
And if you want to hear me talk, then I'll talk. Be your Sherpa. Only when you want it, if that's what you want. Okay?
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. . . yeah.
[That's easy to do. Trust me, Jotaro says, and that-- he can do that. Even now, he can do that. He's done it once already, confessing his attraction; he can do it again, when the time comes, if it ever does. Because Jotaro--
They give each other shit all the time. But when the chips come down, when it really matters, Jotaro has always been there. Every nightmare, every desperate clinging hug, every fight, both physical and emotional-- Jotaro has always had his back. So trusting him? Yeah. He can do that.
Polnareff nods, meeting Jotaro's eyes as he does-- and that shift closer is welcome, so Polnareff does as well, until they're tangled up again, just far enough he can still see his face.]
What was it like, wearing it?
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[Hmm. He settles in, leans a little more heavily against Polnareff.]
You know when someone says "don't think about blinking", and then suddenly you can't do it without thinking anymore? It's like that. Like you can't just...not think about your mouth anymore.
Seems like it'd get on everything, too. Cigarettes, beer cans. Just trying to talk it feels like you'd smear half of it across your face by mistake.
no subject
Oughta experiment. Get back to me on that. Cuz I mean, if you can't have a cigarette or a beer, what's the point.
[A beat, and then:]
You oughta show me sometime. If you want.
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[GUYS TRY TO UNDERSTAND BEAUTY PRODUCTS]
...I have one of those eye things, too. The pencils. I just got Star to draw it on, it's hard to do it with one eye closed and your hand hard to keep steady.
[...]
You want to see it right now? I can have him go grab it. Or later, some other time, if you'd rather just hang out.
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Show me.
[He likes this between them, yeah-- but they can have both. They can do both, old and new, doing old things and new things all at once.]
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[And he doesn't move, because he doesn't have to; as suggested, Star does it all for him, first by manifesting in the middle of the room, and then by zipping into the bathroom that they share, presumably to riffle around in whatever hiding place Jotaro had created for his personal cosmetic items and return with them securely in hand.
It's almost laughable how there isn't much — a tube of lipstick, an eyeliner pencil, and a couple of loose sponges. But there they are, all collected in a plastic ziplock bag, dangling from Star's purple fingers like precious cargo when they're really not.]
Okay, so.
[At his silent command, Star sets the bag down and fishes out the lipstick, uncapping and twisting the tube and brandishing it in his giant hand.]
I think it's got that like...point on it, so you can draw with it like a pen, kind of? So — c'mon, Star, like the last time — he draws around the outside first, aah 'en co'ors ih ihh...
["And then colors it in", probably — which is exactly what Star has just set to doing.]
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Huh.
[When he thinks lipstick, he thinks bright red, like a fire engine, so it's a little odd to see something so pale on Jotaro's lips. It doesn't . . . exactly fit, the color, but on the other hand it's not, like, black, and it isn't as if Polnareff knows any better. And it looks . . . strange, honestly, because it's a shock to see something like that on Jotaro's face-- but it's not bad. He offers up half a grin in clear approval.]
Eyes next. Go on.
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When he's finished — and arguably having laid the color on a little too thick, but of course he doesn't really know any better — Star re-caps the lipstick and sets it aside in favor of the pencil, which rapidly gets aimed at Jotaro's eyes. It's a shame to have to close them and surrender to not being able to see Polnareff's face for a minute or two, but such is the necessity of the process, and in a second or two he can feel the sharp, distant-uncomfortable drag of pencil along the edge of his eyelid near the lash line.]
Sho 'en this, I guesh it makes your eyes look...longer? Or shtand out more. Shome'ing like that. I'unno.
[Lipstick feels so weird.]
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[More a noise than a real word, and it sounds a little detached-- but he's watching the process with just as much fascination. His issues-- with all of it, really, with makeup and skirts and attraction and everything, all of it, that giant umbrella of Stuff that he's just starting to understand-- are entirely to do with himself and perceptions of normality. Seeing Jotaro do these things isn't going to fix things, not entirely, because his problem isn't with Jotaro, but society as a whole.
But it helps, to see this. To look at someone who's not so sure of himself either, someone Polnareff knows and understands on an intimate level, and see it happen.]
What if you just talked normal? I mean, it's on both your lips, so all it'll do is just get on your lips more, right?
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[In another few seconds, though, Star finishes up and retreats, and Jotaro flutters his eyelids open slowly, trying to relax his expression into resting normal before turning to look straight at Polnareff with his basic, amateurish lined eyes that manage to make the green come out greener, and the peach-orange lips that truthfully look garish but at the very least are carefully shaped into a classic cupid's bow.]
...So. There it is.
no subject
Jotaro looks-- different. It's not a criticism, just an observation. It's strange, knowing him one way and then seeing this. Like-- like, it's his face, but off. Or something. Polnareff stares for a few seconds-- and okay, it's impossible for his eyes to not dart about Jotaro's face, to really look at him.]
The eyes are better.
[Wait, shit--]
I mean-- just-- I like them. Both. But I like your eyes more.
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[He holds still, content to just let Polnareff look, and tries his best not to purse his lips even though the feeling of the color sticking to them is, as predicted, weird and fiddly to experience.]
I don't really like the mouth. But the eyes are all right. It feels...a little heavy? But I think if you did it a lot you'd get used to that. Other than that you can't feel it. That one I think I'd be okay with doing more often, the eyes.
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[The question is on the tip of his tongue, awfully uncertain, and he bites it back. Instead:]
So-- you gonna wear it? I mean, like . . . day to day.
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[He blinks rapidly a few times, in quick flicks that suggest the action is entirely reflexive and mostly involuntary, which probably goes to support his claim of the heaviness on his eyes being something he's trying to adjust to.]
I don't know, though. Probably not? Maybe just...once in a while, or something. Like for a change. To be a little out of the ordinary, or something.
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[All that's a murmur, out of his mouth without any real input from his brain, said while he leans in to get a better look. Makeup isn't something he's ever really thought about, honestly-- not beyond a vague thought of that's a bright lipstick or whatever. He's certainly never thought about the application of it. So it's fascinating to look at, and it's equally fascinating to study it on Jotaro.
It's really done very neatly. Well done, Star.
And again, he wants to ask, and-- well, when has he ever been anything but impulse, so:]
Are you allowed to share that, or's it like a double-dip situation?
[Which is a very big question disguised as a very minor one, actually.]
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[He pauses, and superficially seems to be processing the question, except that beneath the surface he's actually processing the deeper implications — because as much as he's struck out and tripped on his face already in this conversation, this time at least he thinks he's got a pretty good handle on where this line of questioning goes.
So he drags it out on the pretense of reminiscing first, then deliberately pushes it back into the realm of normalcy, and groups it together in with other things, casual things, guy things that they already do and have done and are doing even at this very minute.]
Besides. It can't be that much different than passing around the same cigarette. If you're gonna catch something from me, you're already fucked a couple dozen drags over.
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